In the rich and fascinating universe of 17th-century Dutch painting, the work of Gerrit van Vucht stands out for its ability to capture the ephemeral beauty of nature and everyday life. The art print Nature morte avec un canard mort, des poissons, des poires, des œufs, un pot en cuivre et d'autres objets, le tout disposé sur un meuble de cuisine immerses us in a scene where each element tells a story. Through a carefully orchestrated composition, the artist invites us to contemplate the simplicity of everyday objects, while revealing their intrinsic beauty. This painting, both humble and evocative, transports us to a 17th-century kitchen, where one can almost feel the freshness of the products and the scent of nature. Style and uniqueness of the work Gerrit van Vucht's style is characterized by meticulous attention to detail and skillful use of light. In this piece, the way shadows and reflections play on the surfaces of objects creates an atmosphere that is both realistic and poetic. Textures are rendered with remarkable precision, whether it is the plumage of the duck, the smooth skin of the pears, or the shiny metal of the copper pot. Each element is carefully arranged, demonstrating the artist's craftsmanship and his ability to harmonize colors and shapes. The composition, though simple in appearance, reveals an underlying complexity, where each object finds its place in a delicate balance. The work evokes silent contemplation, inviting the viewer to immerse themselves in the beauty of ordinary things. The artist and his influence Gerrit van Vucht, though less known than some of his contemporaries, has left an indelible mark on the world of art print still life. His work is part of an artistic tradition that celebrates daily life and the objects that surround it. Influenced by the masters of the era, he developed a distinctive style, blending realism and sensitivity. Van Vucht's works demonstrate