In the rich and fascinating universe of art history, certain works stand out for their ability to capture the very essence of nature while reflecting the evolution of knowledge. The art print *Traité des arbres fruitiers* Pl57 - Henri-Louis Duhamel du Monceau is a perfect example. This piece, at the crossroads of art and science, invites viewers to immerse themselves in a world where botany and aesthetics meet. Through precise and delicate illustrations, Duhamel du Monceau offers a poetic vision of fruit trees, while revealing the horticultural knowledge of his time. Every detail, every color, bears witness to a deep respect for nature and a desire to educate the public about the wonders of the garden. **Style and uniqueness of the work** Duhamel du Monceau's style is characterized by a systematic and methodical approach, typical of scientific treatises from the 18th century. However, what sets it apart from other works of its time is its ability to combine scientific rigor with artistic sensitivity. The illustrations are not only faithful representations of trees and their fruits but also exude a refined aesthetic that captures the eye. Vibrant hues, delicately placed shadows, and meticulous details make each page a true living tableau. This harmonious marriage of art and science allows this work to transcend simple botanical illustrations and become a celebration of natural beauty. **The artist and his influence** Henri-Louis Duhamel du Monceau, an emblematic figure of the 18th century, masterfully combined his passions for agronomy and art. As a botanist, he played a crucial role in introducing new horticultural techniques in France. His work had a significant influence on horticulture and agronomy, as well as on the art of representing nature. Duhamel du Monceau was a pioneer in disseminating botanical knowledge, and his treatise on fruit trees reflects this desire to educate and inspire. His legacy endures, not only in the gardens and orchards of France but also in