In the fascinating universe of botanical art, the "Art print on toxic plants Pl10" by Friedrich Berge stands out for its approach that is both scientific and artistic. This illustration, part of a series dedicated to the depiction of plants, captures attention through its precision and beauty. By immersing ourselves in this work, we discover a world where nature reveals itself in all its complexity, blending aesthetics and knowledge. The delicacy of the lines and the richness of the colors invite attentive contemplation, revealing the subtleties of the shapes and textures of plants. This piece is much more than a simple illustration; it is an entry point to a deeper understanding of the toxic flora that surrounds us. Style and uniqueness of the work Berge's style is characterized by meticulous realism, reflecting his diligent observation of nature. Each plant is depicted with extreme care, highlighting not only their beauty but also their potential danger. The shades of green, purple, and yellow blend harmoniously, creating a palette that evokes both vitality and threat. The composition of the work is designed to guide the viewer's eye, with elements that stand out against a often understated background, allowing the details to be fully expressed. This approach gives the artwork depth and dimension that transcend simple botanical art. Indeed, each stroke seems to tell a story, a legend, a warning about the dangers hidden behind the apparent beauty of plants. The artist and his influence Friedrich Berge, although less well-known than some of his contemporaries, managed to establish himself in the field of botanical illustration through his expertise and passion for nature. His work is marked by a desire to pay homage to the diversity of plant species while raising public awareness of their potential dangers. Berge fits into a tradition where art and science intersect, uniting spheres often perceived as opposed. His influence is felt not only in the art world but also in scientific circles, where his works are frequently used as references for the study of toxic plants. By redefining the boundaries between aesthetics and science,