Art print | Satin and mahogany inlaid wooden dressing table - Edwin Foley
View from behind
Frame (optional)
Introduction captivante
The "Coiffeuse en bois de satin et acajou incrusté - Edwin Foley" is much more than a simple piece of furniture; it embodies a true ode to craftsmanship and early 20th-century aesthetics. Every curve and detail of this piece testify to exceptional craftsmanship, blending elegance and functionality. Through this artwork, Foley invites us to immerse ourselves in a universe where refinement and beauty meet, transforming a utilitarian object into a centerpiece of decoration. The dressing table, with its play of reflections and delicate inlays, thus becomes a symbol of decorative art, highlighting the importance of art in everyday life.
Style and uniqueness of the work
The style of Edwin Foley's dressing table is characterized by a harmonious blend of clean lines and ornamental details. The satin wood, with its soft texture and natural sheen, pairs with mahogany to create a striking visual contrast. The inlays, meticulously crafted, add an extra dimension to the piece, playing with light and shadow in an almost poetic way. Every element of the dressing table is designed to evoke a certain delicacy, while remaining rooted in pragmatic functionality. This marriage of aesthetics and utility is the key to the uniqueness of this artwork, which transcends its initial role to become a true art object.
The artist and his influence
Edwin Foley, an iconic figure in early 20th-century interior design, made his mark with an innovative and bold approach. His work is distinguished by meticulous attention to detail and a passion for noble materials. Influenced by the artistic movements of his time, such as Art Nouveau and the Arts and Crafts movement, Foley skillfully integrated elements of these styles into his creations while developing a personal signature. His legacy endures through his works, which continue to inspire contemporary designers. By redefining furniture standards, Foley paved the way for a new vision of decorative art, where each piece tells a story and aesthetics become a means of expression.
Matte finish
View from behind
Frame (optional)
Introduction captivante
The "Coiffeuse en bois de satin et acajou incrusté - Edwin Foley" is much more than a simple piece of furniture; it embodies a true ode to craftsmanship and early 20th-century aesthetics. Every curve and detail of this piece testify to exceptional craftsmanship, blending elegance and functionality. Through this artwork, Foley invites us to immerse ourselves in a universe where refinement and beauty meet, transforming a utilitarian object into a centerpiece of decoration. The dressing table, with its play of reflections and delicate inlays, thus becomes a symbol of decorative art, highlighting the importance of art in everyday life.
Style and uniqueness of the work
The style of Edwin Foley's dressing table is characterized by a harmonious blend of clean lines and ornamental details. The satin wood, with its soft texture and natural sheen, pairs with mahogany to create a striking visual contrast. The inlays, meticulously crafted, add an extra dimension to the piece, playing with light and shadow in an almost poetic way. Every element of the dressing table is designed to evoke a certain delicacy, while remaining rooted in pragmatic functionality. This marriage of aesthetics and utility is the key to the uniqueness of this artwork, which transcends its initial role to become a true art object.
The artist and his influence
Edwin Foley, an iconic figure in early 20th-century interior design, made his mark with an innovative and bold approach. His work is distinguished by meticulous attention to detail and a passion for noble materials. Influenced by the artistic movements of his time, such as Art Nouveau and the Arts and Crafts movement, Foley skillfully integrated elements of these styles into his creations while developing a personal signature. His legacy endures through his works, which continue to inspire contemporary designers. By redefining furniture standards, Foley paved the way for a new vision of decorative art, where each piece tells a story and aesthetics become a means of expression.


