In the rich and intricate universe of 15th-century Flemish painting, Hans Memling's work stands out for its emotional depth and meticulous attention to detail. The art print of Maria Portinari Maria Maddalena Baroncelli née en 1456 - Hans Memling immerses us in a suspended moment, where spirituality and everyday life intersect. This portrait, emblematic of the Renaissance, not only captures the physical beauty of its subject but also reflects an inner quest, an exploration of themes of faith and humanity. Maria's penetrating gaze, imbued with a disturbing serenity, invites viewers to ponder her thoughts, desires, and aspirations. Style and uniqueness of the work Memling's art is characterized by a realistic approach, where every detail is carefully orchestrated to create an atmosphere that is both intimate and universal. In this piece, the choice of colors, textures, and shadows reveals impressive technical mastery. The drapery of Maria's gown, subtly illuminated, seems almost tangible, while the background, often blurred, emphasizes the presence of the figure. The composition is harmonious, with each element in its place, contributing to visual balance. Memling excels in capturing the essence of his subjects, and here, he succeeds in conveying a profound humanity, making Maria Baroncelli accessible and close to the viewer. The use of discreet symbols, such as flowers or objects in the setting, further enriches the visual narrative, offering layers of meaning to explore. The artist and his influence Hans Memling, born in Germany but having gained fame in Bruges, is one of the masters of Flemish painting. His style, at the crossroads between Gothic and Renaissance, has left an indelible mark on European art. Influenced by artists such as Jan van Eyck, Memling developed a unique technique that combines meticulous observation with poetic sensitivity. His works, often commissioned for religious purposes, demonstrate a deep understanding of human psychology. By placing saintly figures in