Justice personified in a scene of compassion: the eye of Gérard de Lairesse In this dense and narrative composition, Gérard de Lairesse stages the allegorical figure of justice surrounded by fragile characters, where clear light sculpts the drapery and faces with sobriety. Ochre tones and red accents punctuate a palette dominated by earthy values, while the precise touch reveals a mastery of drawing inherited from Dutch classicism. The balance between solemnity and tenderness creates a meditative atmosphere, where every gesture — care, protection, gaze — contributes to telling a moral and human fable. This interpretation invites contemplation and civic reflection.

Gérard de Lairesse, master of Dutch classicism Gérard de Lairesse, active at the end of the 17th century, is recognized for his transition to a neo-classical style tinged with French and Italian influences. Theorist and painter, he promoted allegorical and pastoral compositions that favor drawing and narrative clarity. His major works testify to a taste for visual moralization and for scenarios where virtue is manifested through daily action. Lairesse’s academic sensitivity is evident in the rigorous construction of groups and the subtlety of expressions, making this work a significant example of his impact on the Dutch pictorial scene of his time.

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