In the 19th-century artistic landscape, Peter Michal Bohúň's work stands out for its ability to capture the very essence of his subjects. The art print of Une étude pour le portrait de Ján Francisci en comte du comté de Liptov is a striking illustration of this. Through this portrait, Bohúň succeeds in transcending the simple exercise of representation to offer a window into the soul of his model. The viewer is invited to immerse themselves in a world where each brushstroke tells a story, where every shadow and light reveals deep emotions. This portrait does not merely depict a man; it evokes an inheritance, an identity, and an era. Style and uniqueness of the work Bohúň's style is characterized by striking realism, combined with poetic sensitivity. In this study, he manages to balance the rigor of anatomical representation with delicacy in the treatment of textures and colors. The palette chosen for the portrait subtly evokes the nuances of the surrounding nature, while highlighting the stature of Ján Francisci. The details, whether it be the folds of the clothing or the expression on the face, are executed with meticulousness that testifies to the undeniable talent of the artist. This work, far from being a simple preparatory study, presents itself as a true painting in its own right, where the psychological depth of the subject is emphasized through a skillfully orchestrated play of light. The artist and his influence Peter Michal Bohúň, an emblematic figure of Slovak art, managed to leave his mark on his era through an innovative approach. Trained at the Vienna Academy of Fine Arts, he was influenced by the great masters of the past while developing a style that is uniquely his own. His commitment to representing Slovak culture and its historical figures made him a pioneer in promoting national identity through art. Bohúň was not only a portraitist; he also contributed to redefining themes and subjects in Slovak art, injecting a new