In the world of art, certain works transcend the simple frame to become windows into bygone eras, deep emotions, and intimate stories. The art print of "Madame von Bodenhausen avec son enfant Luli" by Theo van Rysselberghe is one of those pieces that captivates and fascinates. Painted at the end of the 19th century, this piece evokes not only the tenderness of a mother towards her child but also the cultural and social context of a time marked by artistic changes and societal upheavals. By contemplating this work, the viewer is invited to immerse themselves in a world where family intimacy and aesthetic beauty converge, revealing a frozen moment in time. Style and uniqueness of the work Theo van Rysselberghe's style is characterized by an impressionist approach, blended with neo-impressionist influences. In "Madame von Bodenhausen avec son enfant Luli," the artist uses vibrant brushstrokes and soft lighting to create a warm and welcoming atmosphere. The composition is carefully orchestrated, highlighting the relationship between the mother and her child in a delicate embrace. The details of the clothing, the texture of the hair, and the serene expressions on the faces testify to undeniable technical mastery. Van Rysselberghe manages to capture not only the physiognomy of his subjects but also their emotional essence, making each gaze and gesture profoundly meaningful. This work, through its chromatic harmony and sensitivity, stands as a true ode to motherhood and family love. The artist and his influence Theo van Rysselberghe, an emblematic figure of the Belgian artistic movement, knew how to mark his era with his unique style and innovative vision. A member of the group Les XX, he played a key role in spreading impressionist ideas in Belgium, while incorporating elements of symbolist painting. His work influenced many contemporary artists, who found in his approach a source of inspiration to explore themes of light and color. Van Rysselberghe also cultivated relationships with artists such as Vincent van Gogh and Paul Signac, enriching