The work of Gerard ter Borch, a prominent figure in 17th-century Dutch painting, immerses us in an era marked by political and social upheavals. The depiction of Godard van Reede, a central character in the diplomacy of his time, embodies not only an individual but also a period of transition. Through this art print, Ter Borch does more than capture a frozen moment in time; he invites us to explore the subtleties of court life and the stakes of the peace negotiations taking place then. Every detail, every expression, every drape speaks volumes about the aspirations of a nation seeking stability after years of conflict. This piece, both historical and intimate, is an invitation to reflect on the dynamics of power and diplomacy. Style and uniqueness of the work Gerard ter Borch's style is distinguished by exceptional finesse and meticulous attention to detail. In the art print of Godard van Reede 1588-1648 Seigneur de Nederhorst Délégué de la province d'Utrecht à la Conférence de paix de Münster 1646-48, one can admire mastery of textures, whether in the rich fabrics of clothing or the delicacy of faces. Ter Borch employs a subtle color palette, with nuances that evoke both the richness of materials and the atmosphere of the scene. The play of light and shadow, characteristic of his work, adds striking depth to the piece. The composition is carefully orchestrated, with each element arranged to guide the viewer's gaze toward the main character, while secondary figures enrich the visual narrative. This art print stands out for its ability to combine a realistic representation with an almost psychological dimension, revealing not only the external appearance of Godard van Reede but also his status and role in society. The artist and his influence Gerard ter Borch, born in 1617 in Zwolle, is often regarded as one of the masters of genre and portrait painting. His artistic journey is marked by travels