Art print | Posthumous portrait of Herman Willem Daendels, Governor-General of the Dutch East Indies - Raden Saleh
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Posthumous portrait reproduction of Herman Willem Daendels, Governor-General of the Dutch East Indies - Raden Saleh – Captivating introduction
In the fascinating world of art, some works transcend their era to become timeless witnesses of history. The art print of the "Posthumous portrait of Herman Willem Daendels, Governor-General of the Dutch East Indies" by Raden Saleh is a striking example. This piece not only captures the image of a man but also evokes the complexities of a time marked by colonization and cultural encounters. Through this portrait, the Indonesian artist, often regarded as the father of modern painting in Indonesia, immerses us in a visual narrative that blends grandeur and melancholy, while paying homage to a historical figure whose influence extends far beyond the shores of the East Indies.
Style and uniqueness of the work
Raden Saleh's style is distinguished by impressive technical mastery and sensitivity to light and color. In this portrait, the delicate nuances of the skin and the contrast of shadows highlight Daendels' features, while the dark background emphasizes the solemnity of the scene. The governor's posture, both proud and contemplative, reflects a man aware of his power and responsibilities. Details, such as the ornaments of his uniform and the accessories surrounding him, are rendered with remarkable precision, demonstrating the artist's attention to every element. This art print also stands out for its ability to capture the essence of a character while evoking the historical and cultural context in which he evolves. The way Raden Saleh plays with light and space creates an atmosphere that is both intimate and grandiose, allowing the viewer to feel the depth of the story it tells.
The artist and his influence
Raden Saleh, born in 1811 in Jakarta, is an iconic figure of Indonesian art. Trained in Europe, he was influenced by the artistic currents of his time, notably Romanticism and Realism. His return to Indonesia marked the beginning of a new era for local art, where he skillfully combined Western techniques
Matte finish
View from behind
Frame (optional)
Posthumous portrait reproduction of Herman Willem Daendels, Governor-General of the Dutch East Indies - Raden Saleh – Captivating introduction
In the fascinating world of art, some works transcend their era to become timeless witnesses of history. The art print of the "Posthumous portrait of Herman Willem Daendels, Governor-General of the Dutch East Indies" by Raden Saleh is a striking example. This piece not only captures the image of a man but also evokes the complexities of a time marked by colonization and cultural encounters. Through this portrait, the Indonesian artist, often regarded as the father of modern painting in Indonesia, immerses us in a visual narrative that blends grandeur and melancholy, while paying homage to a historical figure whose influence extends far beyond the shores of the East Indies.
Style and uniqueness of the work
Raden Saleh's style is distinguished by impressive technical mastery and sensitivity to light and color. In this portrait, the delicate nuances of the skin and the contrast of shadows highlight Daendels' features, while the dark background emphasizes the solemnity of the scene. The governor's posture, both proud and contemplative, reflects a man aware of his power and responsibilities. Details, such as the ornaments of his uniform and the accessories surrounding him, are rendered with remarkable precision, demonstrating the artist's attention to every element. This art print also stands out for its ability to capture the essence of a character while evoking the historical and cultural context in which he evolves. The way Raden Saleh plays with light and space creates an atmosphere that is both intimate and grandiose, allowing the viewer to feel the depth of the story it tells.
The artist and his influence
Raden Saleh, born in 1811 in Jakarta, is an iconic figure of Indonesian art. Trained in Europe, he was influenced by the artistic currents of his time, notably Romanticism and Realism. His return to Indonesia marked the beginning of a new era for local art, where he skillfully combined Western techniques


