In the fascinating universe of art, some works manage to transcend time and capture the very essence of their creator. The Self-Portrait with the Bible by Johann Friedrich Overbeck is a perfect example. This piece, imbued with spirituality and reflection, offers a unique insight into the artist's soul while revealing the intellectual and aesthetic concerns of his era. Through this painting, Overbeck does not merely depict himself; he engages in visual introspection, inviting the viewer to enter into a silent dialogue between art and faith. Style and uniqueness of the work The Self-Portrait with the Bible stands out for its neo-classical style, characterized by a pursuit of ideal beauty and harmony of forms. Overbeck, a founding member of the Düsseldorf school, belongs to an artistic tradition that values clarity and sobriety. The composition of the piece is carefully orchestrated: the artist, depicted realistically, stands confidently with a sacred book open in his hands. This Bible, a symbol of knowledge and truth, is not just an accessory; it reflects the spiritual values that animate the painter. The color palette, soft and soothing, contributes to the contemplative atmosphere of the work, while the light subtly plays on Overbeck's facial features, highlighting his determination and serenity. The artist and his influence Johann Friedrich Overbeck, born in 1789, is an emblematic figure of neo-classicism. His artistic vision is deeply influenced by the ideals of the Renaissance, where harmony between man and the divine is paramount. Beyond his refined technique, Overbeck is distinguished by his spiritual and philosophical commitment, which is reflected in his works. The Self-Portrait with the Bible, created in 1820, bears witness to this quest for meaning. The artist does not merely illustrate a moment from his life; he seeks to establish a link between art and transcendence. His influence extends beyond Germany's borders, inspiring many artists to explore themes