Marie Ellenrieder's self-portrait is a work that transcends mere representation. In this painting, the artist reveals herself with rare intensity, capturing not only her physical appearance but also a psychological depth that invites contemplation. This masterpiece, created in the 19th century, reflects a period when women artists began to claim their place in a male-dominated world. The self-portrait is not just an image; it is a declaration, an affirmation of self that resonates through time. By observing this work, viewers are encouraged to reflect on the concept of identity and how it can be shaped by art. Style and uniqueness of the work The self-portrait stands out with a delicate color palette and a subtle play of light that highlights the artist's features. Ellenrieder uses soft tones to create an intimate atmosphere, where every detail, from the expressive gaze to the texture of the clothing, seems loaded with meaning. The composition is carefully thought out, with a harmonious balance between shadows and highlights, which enhances the sense of depth. The artist does not hesitate to play with traditional portrait conventions by incorporating elements that reveal her artistic sensitivity. This work is not merely a self-representation but an exploration of the emotions and thoughts that inhabit the artist, a true introspection illuminated by her brush. The artist and her influence Marie Ellenrieder, an emblematic figure of 19th-century German art, managed to establish herself in an artistic environment often hostile to women. Born in 1804, she was one of the first to receive significant recognition for her work, both in painting and other art forms. Her refined technique and innovative approach influenced many contemporary artists and paved the way for a better appreciation of female art. Ellenrieder successfully combined tradition and modernity, drawing inspiration from masters while developing a personal style that is uniquely her own. Her self-portrait bears witness to this duality, both rooted in her era and avant-garde, granting her a unique place in