Art print | Dependencies of the Hôtel d'Albret impasse des Bœufs - Charles Jouas
View from behind
Frame (optional)
In a picturesque corner of Paris, the art print "Dépendances de l'Hôtel d'Albret impasse des Bœufs" by Charles Jouas transports us to the heart of a bygone era. This delicate depiction, imbued with the magic of the Belle Époque, evokes the nostalgic atmosphere of cobbled streets and Haussmannian facades. Through this art print, the viewer is invited to immerse themselves in a universe where time seems to stand still, where every detail tells a story. Jouas, with his undeniable talent, manages to capture the very essence of this iconic place, making his work a true testament to Parisian architecture and life of the past.
Style and uniqueness of the work
The style of Charles Jouas is both realistic and impressionist, a harmonious fusion that brings his creations to life. In "Dépendances de l'Hôtel d'Albret impasse des Bœufs," soft colors and play of light create a warm and welcoming atmosphere. Subtle shades of blue and beige intertwine, evoking the gentleness of a Parisian morning. The composition is carefully orchestrated, each element of the painting contributing to the overall balance. Architectural details, such as balustrades and windows, are rendered with remarkable precision, demonstrating the care taken by the artist. This work stands out for its ability to evoke emotions, to stir memories, and to transport the viewer on an unforgettable visual journey.
The artist and his influence
Charles Jouas, born in 1848, was a French painter whose work was deeply influenced by the artistic currents of his time. A member of the Impressionist movement, he developed a personal style that is uniquely his own, focusing on capturing light and atmospheres. His work, often centered on scenes of daily life, reflects a keen sensitivity to details and the beauty of fleeting moments. Jouas was also a keen observer of Parisian architecture, using his knowledge to create compositions that combine harmony and precision. His impact on the artistic scene
Matte finish
View from behind
Frame (optional)
In a picturesque corner of Paris, the art print "Dépendances de l'Hôtel d'Albret impasse des Bœufs" by Charles Jouas transports us to the heart of a bygone era. This delicate depiction, imbued with the magic of the Belle Époque, evokes the nostalgic atmosphere of cobbled streets and Haussmannian facades. Through this art print, the viewer is invited to immerse themselves in a universe where time seems to stand still, where every detail tells a story. Jouas, with his undeniable talent, manages to capture the very essence of this iconic place, making his work a true testament to Parisian architecture and life of the past.
Style and uniqueness of the work
The style of Charles Jouas is both realistic and impressionist, a harmonious fusion that brings his creations to life. In "Dépendances de l'Hôtel d'Albret impasse des Bœufs," soft colors and play of light create a warm and welcoming atmosphere. Subtle shades of blue and beige intertwine, evoking the gentleness of a Parisian morning. The composition is carefully orchestrated, each element of the painting contributing to the overall balance. Architectural details, such as balustrades and windows, are rendered with remarkable precision, demonstrating the care taken by the artist. This work stands out for its ability to evoke emotions, to stir memories, and to transport the viewer on an unforgettable visual journey.
The artist and his influence
Charles Jouas, born in 1848, was a French painter whose work was deeply influenced by the artistic currents of his time. A member of the Impressionist movement, he developed a personal style that is uniquely his own, focusing on capturing light and atmospheres. His work, often centered on scenes of daily life, reflects a keen sensitivity to details and the beauty of fleeting moments. Jouas was also a keen observer of Parisian architecture, using his knowledge to create compositions that combine harmony and precision. His impact on the artistic scene


